Issues : Bass register changes

b. 16

composition: Op. 63 No. 1, Mazurka in B major

Octave in AI

Single note in FE (→GE,EE)

category imprint: Differences between sources; Corrections & alterations

issues: Bass register changes

b. 70

composition: Op. 63 No. 1, Mazurka in B major

F-B in AI

F1-F in FE (→GE,EE)

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Bass register changes

b. 75

composition: Op. 63 No. 1, Mazurka in B major

C1-C octave in AI

C in FE (→GE,EE)

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Bass register changes

b. 78-80

composition: Op. 63 No. 1, Mazurka in B major

Octaves in AI

Single notes in FE (→GE,EE)

..

In AI Chopin continues leading the bass line in octaves. In the published version the section encompassing bars 77-82 includes bass octaves only in bars 77 and 81, as was the case with bars 9-14.

category imprint: Differences between sources; Corrections & alterations

issues: Bass register changes

b. 83-87

composition: Op. 63 No. 1, Mazurka in B major

Octaves & c in AI

3 times C in FE (→GE,EE)

..

The bass notes in bars 83, 85 and 87 varied in the earlier version – in bars 83 and 87 C-c octaves, while in bar 85 a single c note. Chopin standardised it in the published version, probably to emphasise the effect of repetition, being the first signal of harmonic stabilisation leading to the ending of the piece.

category imprint: Differences between sources; Corrections & alterations

issues: Bass register changes